He writes, “The album has been split over two working studios; I have been based at Cradle's resident studio Springvale under the helmsmanship of Mark Harwood for the last month or so, whilst the music has been captured not ten miles up the road at Scott Atkin's Grindstone studio, enabling us to work parallel to one another and thus aid not only the creative itch, but the speed of the recording process too.
“There is little point describing the new tracks as such as it's downright obvious that the usual cliches of 'it's our best one yet', 'it's much harder, darker, faster' (been there, done that) and 'this is going back to our roots' may well apply, just be aware that, if anything, the album has a definite 'Midian' vibe to it, insomuch that it isn't a conceptual album full tilt but more like lots of fabulous little satellites orbiting a main overarching theme. And that theme on this particular slay-ride is one of demons and monsters, both personal and world-enslaving, and the music peoples it perfectly.
“Musically we have tried new things, expanding on our ever-increasing canon to greater, more unbiblical effect with all instruments. Hence the music is unique, almost experimental in its dark places, but at heart still the Cradle Of Filth people have come to know, love and hate! Hence also why it's almost impossible for me to paint this new pantheon in anything other than the absolute jet black that I usually do… for no matter how goresome it will inevitably be, we will always have our steadfast detractors like so many fat, unavoidable moths to our ever-growing flame (sits, sighs and weeps in a graveyard!).”
Filth goes on to explain that the forthcoming record, which will be released later this year via Nuclear Blast Records, is currently in the mixing stages of production.
Check out the full post HERE, and stay tuned for more information.
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